Director: Florian Henckel von Donnersmarck
Writer: Florian Henckel von Donnersmarck
Stars: Ulrich Mühe, Martina Gedeck, Sebastian Koch
Storyline
Gerd Wiesler is an officer with the Stasi, the East German secret
police. The film begins in 1984 when Wiesler attends a play written by
Georg Dreyman, who is considered by many to be the ultimate example of
the loyal citizen. Wiesler has a gut feeling that Dreyman can't be as
ideal as he seems and believes surveillance is called for. The Minister
of Culture agrees but only later does Wiesler learn that the Minister
sees Dreyman as a rival and lusts after his partner Christa-Maria. The
more time he spends listening in on them, the more he comes to care
about them. The once rigid Stasi officer begins to intervene in their
lives, in a positive way, protecting them whenever possible. Eventually,
Wiesler activities catch up to him and while there is no proof of
wrongdoing, he finds himself in menial jobs - until the unbelievable
happens. Written by
garykmcd
User Reviews
Best German dramatic movie in years
having had the joy -
while not living in the old gdr itself - to have some "accidental" run
ins with the good old stasi then, i found it awkward that a German
director from the "west" would have the guts to take on the subject of
this "ministry of greyness".
writer/director florian henkell von donnersmarck (nice name for a teutonic director, me thinks, very fancy - makes you bang your heels) not only survived this bout of pretension which could have let him drowned in a swamp of reproaches and allegations about executing the "justice of the winners", but he transformed the tale into a story that can and will be understood anywhere in the world: a tale about power, treason and the almost anarchistic potency of emotions.
while at the same time not falling into the trap of moralizing with a waving finger but showing us "the system" as an bureaucratic nightmare powered by - eventually - once even good intentioned human robots of socialist self-righteousness who actually destroy all real positive socialist impulses in the ones they plague, this film is - even if one disagrees with it's premises - probably the most important political drama coming out of Germany for years.
writer/director florian henkell von donnersmarck (nice name for a teutonic director, me thinks, very fancy - makes you bang your heels) not only survived this bout of pretension which could have let him drowned in a swamp of reproaches and allegations about executing the "justice of the winners", but he transformed the tale into a story that can and will be understood anywhere in the world: a tale about power, treason and the almost anarchistic potency of emotions.
while at the same time not falling into the trap of moralizing with a waving finger but showing us "the system" as an bureaucratic nightmare powered by - eventually - once even good intentioned human robots of socialist self-righteousness who actually destroy all real positive socialist impulses in the ones they plague, this film is - even if one disagrees with it's premises - probably the most important political drama coming out of Germany for years.
