Rear Window (1954)

 A wheelchair bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder.

Director: Alfred Hitchcock
Writers: John Michael Hayes (screenplay), Cornell Woolrich (based on the short story by)
Stars: James Stewart, Grace Kelly, Wendell Corey

Storyline

Professional photographer L.B. "Jeff" Jeffries breaks his leg while getting an action shot at an auto race. Confined to his New York apartment, he spends his time looking out of the rear window observing the neighbors. He begins to suspect that a man across the courtyard may have murdered his wife. Jeff enlists the help of his high society fashion-consultant girlfriend Lisa Freemont and his visiting nurse Stella to investigate. Written by Col Needham

User Reviews

Classic Hitchcock Suspense!

I have always been a huge fan of Hitchcok, after 1st seeing Dial M for Murder. Rear Window was probably the 2nd film of his I ever saw. I have since seen it probably 5-7 times and it never fails to keep my interest or cause me to see some new detail I missed before. I think that is the true measure of a Classic or Masterpiece, and this one certainly delivers! There are so many things going on in this movie, but most reviewers have touched on all of these so I won't add to them. But the plot is so superb in its layers of conflict, and studies in personalities of Stewart, Kelly, and all the neighbors. It is probably the best film for observing human nature at its many forms.

I never realized how massive the set was until I dug a little further. They actually constructed the massive building in one sound stage. All the apartments in Burr's building had running water and electricity and could actually be lived in. Talk about realism and going the extra mile

• but Hitchcock was all about that. All along I had assumed they had

pieced the different scenes together to look like one building. At the time, it was the largest indoor set ever built by Paramount. While some may find the action a little slow as everything is filmed from the viewpoint of Stewart's apartment window, I find it amazing that the movie still creates such tension and suspense in spite of this.

I think it is interesting that Spielberg is facing a lawsuit for his movie Disturbia which claims that it is basically a re-working of Rear Window. Why would anyone even attempt another telling of Hitchcock's perfectly done masterpiece, and especially without permission (even if your last name IS Spielberg)?